Frontrunner The Shape of Water became the big winner of the bight at the Oscars after winning four awards, including Best Picture and Best Director. Guillermo del Toro’s fantasy film – the second to win Best Picture after The Lord of the Rings: The Return of the King – captivated voters in a politically charged ceremony. The Shape of Water led the nominations (13), and Guillermo del Toro won his first award, after being nominated for Pan’s Labyrinth in 2007. This wasn’t however an obvious victory, as the contest held suspense until the last minute.
Awards Season is coming to an end and tonight all eyes will be on the Dolby Theater, where the 90th Academy Awards will crown the best films of the year. Many questions are still unresolved: Will the Shape of Water claim the award for Best Picture, or will Three Billboards Outside Ebbing, Missouri put the cherry on top of a brilliant season? Without further ado, here are my final predictions – and opinions – on all 24 categories.
2017 has been a great year for movies of various origins, genres and above all, budgets. Indies are conquering the market and hearts of audiences and critics alike and this breath of fresh air has been represented this year at the Academy Awards. Low-budget movies tackling controversial subjects have finally been recognized by academics, in yet an other effort to prove the Academy is more than a bunch of white privileged males. Movies that one would have never imagined would receive Hollywood praise are nominated this year alongside more typical movies by classic Oscar directors. Let’s take a look at this year’s Best Picture nominees, from their budget, nominations, box office and ratings.
The battle is on for Hollywood’s most coveted awards. After weeks of predictions, the Academy has finally unveiled the list of nominees who will fight for glory at the Oscars on March 4th. This year’s diverse nominations and wins during awards season gave room for debate on who would claim a spot in the final roster – except for a few exceptions: Would Greta Gerwig become the fifth woman nominated for Best Director after her snub at the Golden Globes? Would the Academy embrace Jordan Peele’s horror movie Get Out? Would the #MeToo and #TimesUp movement affect this year’s nominations? These questions have been answered and it turns out the 7.258 Academy voters had an ace up their sleeves, with surprising nominees and snubs.
Everyone’s story deserves to be heard. This was the main subject of this year’s Screen Actors Guild Awards. With sexual harassment as one of the major topics on the news and with hundreds of actors and actresses coming forward with heartbreaking stories, what a better platform to talk about this issue than the Screen Actors Guild Awards. With an all-female rooster of presenters, the issue at the center of the show seemed inevitable even before the start of the night.
Ebbing, Missouri. Foggy morning. Three billboards stand abandoned by the side of a small road. Like a ghost. Martin McDonagh wastes no time setting up the scene of his third feature. After her daughter’s brutal raped and murder remains unresolved for over seven months, Mildred Hayes, a mid-western single mother rents three billboards to call the village’s police force out for their inefficiency: “Raped while dying”, “And still no arrests”, “How come Chief Willoughby?”. It is not hard to imagine that we are facing a tale of revenge, outrage and rage. But Three Billboards Outside Ebbing, Missouri, is far from being your typical revenge drama. This is not a story of a heroic mother courage, corrupt police officers and mean villains, you should know that ahead. This is a story that shows what we would be capable of doing in such a terrible situation. This could have been – and probably is – a real story we can all identify with.
The 2018 Awards Season official kicked off tonight with what has been labeled as the most entertaining show in Hollywood: the Golden Globes. This has been a dark year for Hollywood, with hundreds of sexual harassment allegations against some of the most powerful men in the industry, and the first show of the year was marked by social protest and feminism, in speeches and most importantly wins. Tonight statement had to go beyond words and dresses, and honoring women and works portraying complex women was the best way to do it.