So it’s been a week since the Oscars and to be honest, I’m still trying to recover… In fact, I was going to write an entry on my thoughts about this awards season, but the wound is still fresh (maybe next time). So instead, here is an entry on the many records smashed this awards season because yes, it’s been a good year for movies and diversity (and when I say “smashed this awards season” what I really mean is “smashed at this year’s Academy Awards and maybe some other shows”). If you type “Oscars 2017 records” or “Golden Globes 2017 records” on Google, the headline that is invariably going to appear is “La La Land receives record-tying 14 Oscar nominations” and “La La Land wins record-breaking 7 Golden Globes”. And let’s face it, for someone like me who loves La La Land (and will continue to love it until the end of time), that is really cool. But these were not the only records broken in a year unquestionably more diverse than the previous two editions of #OscarsSoWhite. So, here are some of the records and milestones of the 2017 awards season:
In a totally unexpected turn of events, Moonlight took home the Best Picture Oscar, something no poll had predicted. In fact, it became the most confusing moment of recent award shows since presenter Warren Beatty and Faye Dunaway initially announced La La Land as the winner of this category. After a few seconds of confusion (and midway through the acceptance speech), not really knowing whether the producer of the film, Jordan Horrowitz was joking when he said Moonlight had won the award, Barry Jenkins’ team was called to the stage and given the coveted prize. This wild ending will go down in Oscars history, and probably not in a good way. Warren and Dunaway were given the wrong envelope (whose fault is that), and Dunaway just announced the winner without properly reading the envelope. How could this even happen and how could it happen in the most important award of the night?
It’s finally Oscars Day, my favorite day of the year (just so that you get my excitement, it’s like my birthday and Christmas combined). Tonight all the questions we’ve been making during the awards season will be answered: how many Oscars will La La Land win? Will it break a record like at the Golden Globes? Will Barry Jenkins’ poetic masterpiece Moonlight spoil La La Land’s big night? In a previous entry, I predicted the winners of the main categories, based on articles by some of the main film outlets in the Internet, today I’m giving my final predictions in all 24 categories.
If the predictions are correct and La La Land wins Best Picture Oscar tomorrow, Damien Chazelle’s movie will be the 11th musical in Academy Awards history to take home the highest honor of the year. With this in mind, here are the 10 musicals that have won the Best Picture Oscar.
2016 has been a year of exceptionally great films from a wide rage of genres and origins, with completely different plots, characters and actors, in a year when diversity has been acknowledged by Academy voters. Now that the voting deadline has been reached the fate of the nine Best Picture nominees is in the hands of the accountants, and although La La Land is expected to win Best Picture by a landslide (or should I say a La La Landslide? Sorry for the pun), most of the films nominated could taken the award home any other year. So, let’s look at the 2017 nominees’ figures, from budget to Academy Award nominations, box office results and ratings.
As you may well know by now, Damien Chazelle’s La La Land is filled with movie references and most importantly, classic musical references, which is basically one of the reasons the film has been critically acclaimed. In fact, it takes a cinephile to compile such amazing yet eclectic musicals from both Hollywood and France, and turn it into a modern tribute to movie magic. But what movies are referenced? In this article my aim is to not only list them but give a brief synopsis about each of them, and as a musical enthusiast add my unsolicited opinion and some interesting trivia.
It’s Oscars week! On January 24 La La Land made history with a record-tying 14 Academy Awards nominations and is expected the wind up the big winner on February 26. But, to be fair, this has been a great year for movies, with incredible movies and performances that would have easily taken the award home any other year… let’s just face it, I’m still disappointed with Spotlight winning Best Picture last year (good film, but not Oscar worthy). Now as the final votes pour in ahead of tomorrow (February 21)’s deadline, here is a compilation of this year’s Oscar predictions in the major categories (picture, director, acting and screenplay categories) from Variety, The Hollywood Reporter, IndieWire and Gold Derby, and our predictions based on these results. Stay tuned this week for our full list of predictions!
The BAFTA Awards are one of the most stylish and fun awards shows you there is. Full of our favorite British stars and hosted by the brilliant Stephen Fry, it is also an incredible opportunity to discover lesser known British films and talent (you never know who the next big thing will be). My only problem, the two-hour delay between the actual ceremony and the TV broadcast, which forces anyone interested with the thrill and suspense of awards season to avoid stumbling upon the list of winners on the Internet. But now, let’s focus on this year’s show.
Academy Members joined Academy President Cheryl Boone Isaacs in the announcement of this year’s Academy Awards nominations. Breaking with tradition, the presentation did not follow the typical press conference format, with invited journalists, but instead was broadcasted live worldwide via different outlets, including Oscars.org: a new format for a new generation. Actors and other industry professionals were invited to talk about their experiences as Oscar nominees and winner, a format I consider way better than two actors on a stage reading names in front of journalist. The Academy is doing is best to be fresh and young, and leaving behind its image of traditional institution out of touch with younger generations of viewers.