It’s finally Oscars Day, my favorite day of the year (just so that you get my excitement, it’s like my birthday and Christmas combined). Tonight all the questions we’ve been making during the awards season will be answered: how many Oscars will La La Land win? Will it break a record like at the Golden Globes? Will Barry Jenkins’ poetic masterpiece Moonlight spoil La La Land’s big night? In a previous entry, I predicted the winners of the main categories, based on articles by some of the main film outlets in the Internet, today I’m giving my final predictions in all 24 categories.
It’s Oscars week! On January 24 La La Land made history with a record-tying 14 Academy Awards nominations and is expected the wind up the big winner on February 26. But, to be fair, this has been a great year for movies, with incredible movies and performances that would have easily taken the award home any other year… let’s just face it, I’m still disappointed with Spotlight winning Best Picture last year (good film, but not Oscar worthy). Now as the final votes pour in ahead of tomorrow (February 21)’s deadline, here is a compilation of this year’s Oscar predictions in the major categories (picture, director, acting and screenplay categories) from Variety, The Hollywood Reporter, IndieWire and Gold Derby, and our predictions based on these results. Stay tuned this week for our full list of predictions!
Academy Members joined Academy President Cheryl Boone Isaacs in the announcement of this year’s Academy Awards nominations. Breaking with tradition, the presentation did not follow the typical press conference format, with invited journalists, but instead was broadcasted live worldwide via different outlets, including Oscars.org: a new format for a new generation. Actors and other industry professionals were invited to talk about their experiences as Oscar nominees and winner, a format I consider way better than two actors on a stage reading names in front of journalist. The Academy is doing is best to be fresh and young, and leaving behind its image of traditional institution out of touch with younger generations of viewers.