It’s finally Oscars Day, my favorite day of the year (just so that you get my excitement, it’s like my birthday and Christmas combined). Tonight all the questions we’ve been making during the awards season will be answered: how many Oscars will La La Land win? Will it break a record like at the Golden Globes? Will Barry Jenkins’ poetic masterpiece Moonlight spoil La La Land’s big night? In a previous entry, I predicted the winners of the main categories, based on articles by some of the main film outlets in the Internet, today I’m giving my final predictions in all 24 categories.
“I believe the characters we read on the page become more real than the men who stand beside us”.
If I could sum up Jackie in a quote that would be it. A lot has been said about Jackie, mostly (not to say almost exclusively) about Natalie Portman’s flawless performance. I think Jackie is much more than that, it is an extraordinary biopic (“biopic”) about perception, image creation and the thin line between reality and fiction at a time when most of our contact with reality comes from preconstructed images from the Internet and the media.
As you may well know by now, Damien Chazelle’s La La Land is filled with movie references and most importantly, classic musical references, which is basically one of the reasons the film has been critically acclaimed. In fact, it takes a cinephile to compile such amazing yet eclectic musicals from both Hollywood and France, and turn it into a modern tribute to movie magic. But what movies are referenced? In this article my aim is to not only list them but give a brief synopsis about each of them, and as a musical enthusiast add my unsolicited opinion and some interesting trivia.
As you may have noticed if you have been checking Even More Cinema every now and then, I am not the best at posting content super often, especially if I’m studying because, as much as I like writing about movies, one needs to have priorities and writing a post is probably not going to change my life, whereas working on a college paper is, at least, going to make me pass. Why am I even telling you this? Why do you care? Because I believe that talking about Money Monster is worth my time and energy. Because it is not just another Hollywood movie that, no surprise, has been trashed by the critics (especially American critics) and that has performed so bad at the box office people are just making fun of it. I’m not going to say that the movie is fantastic, because it’s not, but it is way better than the public opinion has made you believe…because after all, how many of you have you seen it and how many of you have just been discouraged by the reviews and the general buzz?
As some of you may know, my passion for cinema began with Meryl Streep. Not only is she my favorite actress in the whole world (like many other people out there), she is also one of the people who have inspired me the most in my entire life (and as a bonus, I’ve met her twice). Today, May 27 (actually, as I write this it’s not May 27 anymore in most parts of Europe, but it is in Los Angeles), is Meryl Streep Day! How many actors do you know have their own official day? But, of course, Meryl is not like most actors… she’s Meryl Streep!
To celebrate Meryl Streep Day, I’m going to choose 100 facts about Meryl Streep everyone should know (I have to admit, listing only 100 was extremely difficult and I’ve left so many things out)!
As much as I hate to admit it, more often than not I talk about movies that I’ve never seen (because let’s face it, we all do). Personally, this was the case with Crash (Paul Haggins, 2004), the movie that for the past decade has been considered on of the biggest Oscar snubs ever (EVER), winning Best Picture the year Brokeback Mountain was meant to win all the awards. For the past few years I had been repeating over and over that Brokeback Mountain should have won the well-deserved best picture award because of the homophobic mentality of most of its voters. Anyway, since I’m a film student I thought it would be a good idea to watch Crash because perhaps I was being unfair and the movie wasn’t so bad after all and I was wrong… well, it turns out I wasn’t.
On April 15 1990, legendary actress Greta Garbo passed away in New York. As those of you who’ve been reading this blog for quite a time, I like to dedicate posts to people (actors or directors) for their birthdays or death anniversaries (you can check these posts in my “Wall of Fame” page). Today, since Greta Garbo means so much to me, I wanted to write something a little bit different, I wanted to tell you about the Greta Garbo films you can currently find on Netflix U.S (as of April 15, 2016), because some of you perhaps didn’t know them and would like to honor this special date with on of her films. Well, it turns out it would have been a short article since…there aren’t any!
Westwood Village became the center of the Hollywood film industry tonight as the The Fox Theatre hosted the premiere of The Huntsman: Winter’s War, the sequel to Snow White and the Huntsman, directed by Cedric Nicolas-Troyan and starring Chris Hemsworth, Charlize Theron, Jessica Chastain and Emily Blunt.
Ayer, 6 de mayo de 2015, se cumplían 100 años del nacimiento de uno de los directores más influyentes de la historia: Orson Welles. Utilizo el término “influyentes” y no “mejores” porque me parece difícil establecer una lista con los mejores directores de la historia, sin duda me olvidaría de alguno (ahora es cuando un día escribo una entrada sobre los mejores directores de la historia y bueno…). Pero bueno, sí, puede que Orson Welles sea uno de los mejores directores de la historia. Es por esto que (tarde, muy tarde, como siempre) dedico esta (extremadamente breve) entrada a Welles en el día que cumple 100 años y un día (se supone que os tenéis que reír).
El cine de la modernidad europea supone una ruptura de la visión clásica del medio cinematográfico como herramienta para el entretenimiento. Se trata del nacimiento de una nueva manera de hacer cine. La figura del director como autor, el director que tiene un estilo propio, como ya lo hacían John Ford o Alfred Hitchcock, se propaga a través de las diferentes cinematografías.