If the predictions are correct and La La Land wins Best Picture Oscar tomorrow, Damien Chazelle’s movie will be the 11th musical in Academy Awards history to take home the highest honor of the year. With this in mind, here are the 10 musicals that have won the Best Picture Oscar.
“I believe the characters we read on the page become more real than the men who stand beside us”.
If I could sum up Jackie in a quote that would be it. A lot has been said about Jackie, mostly (not to say almost exclusively) about Natalie Portman’s flawless performance. I think Jackie is much more than that, it is an extraordinary biopic (“biopic”) about perception, image creation and the thin line between reality and fiction at a time when most of our contact with reality comes from preconstructed images from the Internet and the media.
With the Oscars just a few days away, Barry Jenkins’ Moonlight has garnered unanimous critical acclaim and 8 Academy Award nominations, and though predicted to lose Best Picture Oscar to La La Land (an Academy’s favorite), it is nonetheless a must-see that would have easily won the major award any other year. Jenkins’ exquisite triptych on masculinity, sexuality, love and family is quite the perfect movie.
As you may well know by now, Damien Chazelle’s La La Land is filled with movie references and most importantly, classic musical references, which is basically one of the reasons the film has been critically acclaimed. In fact, it takes a cinephile to compile such amazing yet eclectic musicals from both Hollywood and France, and turn it into a modern tribute to movie magic. But what movies are referenced? In this article my aim is to not only list them but give a brief synopsis about each of them, and as a musical enthusiast add my unsolicited opinion and some interesting trivia.
The BAFTA Awards are one of the most stylish and fun awards shows you there is. Full of our favorite British stars and hosted by the brilliant Stephen Fry, it is also an incredible opportunity to discover lesser known British films and talent (you never know who the next big thing will be). My only problem, the two-hour delay between the actual ceremony and the TV broadcast, which forces anyone interested with the thrill and suspense of awards season to avoid stumbling upon the list of winners on the Internet. But now, let’s focus on this year’s show.
Kenneth Lonergan’s return to the big screen as both writer and director after a hiatus of five years has come in the form of this independent realistic film called Manchester by the Sea. Reminiscent of his previous works revolving around family drama and complex characters (themes also present in his directorial debut You Can Count On Me), Manchester by the Sea tells the story of Lee Chandler (Casey Affleck), a janitor who leads a meaningless life, who has to go back to his seaside hometown when his brother Joe dies of a heart disease, making him the legal tutor of his teenage son Patrick.
Después de muchas horas de deliberación sobre si escribir o no una entrada sobre los Premios Goya 2017 (dada mi conocida aprensión hacia el cine español), parecía ridículo hablar de todas las galas del circuito de premios (“awards season”) de este año y dejar de lado la gala que celebra el cine del país en el que me ha tocado nacer. Ahora bien, ¿cómo hacer un artículo que no repita lo que ya se ha dicho durante años en medios mucho mejores que el mío, si se puede considerar mi pequeño blog un medio? Y sobretodo, ¿cómo hacer un artículo que no sea únicamente una crítica destructiva de 800 palabras, que podéis encontrar ya en forma de tweets de 140 caracteres en mi cuenta de Twitter? El éxito de Un monstruo viene a verme (nueve premios Goya) me ha llevado a rescatar de mi memoria una reflexión que lleva des de la gala de los Premis Gaudí dando vueltas en mi cabeza: ¿hasta qué punto son las películas como la de J.A Bayona cine español? ¿Podemos considerarlas cine español? ¿En qué medida?
Des de su creación en 1995 el Screen Actors Guild Award (Premio del Sindicato de Actores), que galardona las mejores interpretaciones en cine y televisión, ha sido considerado una antesala de los Oscars y una ceremonia de primer orden que ya forma parte de los premios obligatorios del año. Los SAG son una fiesta del cine y la televisión, una gala fresca y dinámica (pocos anuncios, dos horas de duración), que personalmente recomiendo a cualquier persona que no la haya visto.
Academy Members joined Academy President Cheryl Boone Isaacs in the announcement of this year’s Academy Awards nominations. Breaking with tradition, the presentation did not follow the typical press conference format, with invited journalists, but instead was broadcasted live worldwide via different outlets, including Oscars.org: a new format for a new generation. Actors and other industry professionals were invited to talk about their experiences as Oscar nominees and winner, a format I consider way better than two actors on a stage reading names in front of journalist. The Academy is doing is best to be fresh and young, and leaving behind its image of traditional institution out of touch with younger generations of viewers.
As you may have noticed if you have been checking Even More Cinema every now and then, I am not the best at posting content super often, especially if I’m studying because, as much as I like writing about movies, one needs to have priorities and writing a post is probably not going to change my life, whereas working on a college paper is, at least, going to make me pass. Why am I even telling you this? Why do you care? Because I believe that talking about Money Monster is worth my time and energy. Because it is not just another Hollywood movie that, no surprise, has been trashed by the critics (especially American critics) and that has performed so bad at the box office people are just making fun of it. I’m not going to say that the movie is fantastic, because it’s not, but it is way better than the public opinion has made you believe…because after all, how many of you have you seen it and how many of you have just been discouraged by the reviews and the general buzz?