Awards Season is a complicated time of the year, and as much as we love it, we couldn’t do it all year round. And as a matter of fact, we all have mixed feelings about it, as it is impossible to come to an agreement on whether nominations and awards are fair, especially in an industry where publicity and studio power seem to have more weight than actual talent. With Oscar nominations just a few days away, it is a good time to remember one of this year’s biggest snubs: The Big Sick.
Ebbing, Missouri. Foggy morning. Three billboards stand abandoned by the side of a small road. Like a ghost. Martin McDonagh wastes no time setting up the scene of his third feature. After her daughter’s brutal raped and murder remains unresolved for over seven months, Mildred Hayes, a mid-western single mother rents three billboards to call the village’s police force out for their inefficiency: “Raped while dying”, “And still no arrests”, “How come Chief Willoughby?”. It is not hard to imagine that we are facing a tale of revenge, outrage and rage. But Three Billboards Outside Ebbing, Missouri, is far from being your typical revenge drama. This is not a story of a heroic mother courage, corrupt police officers and mean villains, you should know that ahead. This is a story that shows what we would be capable of doing in such a terrible situation. This could have been – and probably is – a real story we can all identify with.